Workshops

I offer bespoke and off-the-shelf Writing Futures workshops for organisations and researchers across industry and academia. Workshops can be half-day or full-day for 3-10 participants. Choose from the Menu below or contact me for more information including cost.

I’ve been running writing workshops for over a decade, from Sweden to Germany, Scotland to Stavanger, for postdoctoral researchers through to foresight professionals. I’m always amazed and delighted to hear the futures that people write, when given a safe and creative place to do so.

Workshop Menu


Writing Futures
the classic / comes with an overview of how scientific writing style developed / creative writing exercises to help you go beyond that style.

Speculative Futures
write speculative* futures using materials and objects / write creative futures grounded in the empirical present.

Future Voices
find your unique writing voice / everyone has a unique style and something unique to say / explore other writers' unique voices and then find your own.

Future Telling
write using techniques from oratory and oral storytelling / turn complex arguments into living stories.

Digital Energetic Futures
using the Northdark* narrative game as a method / create novel energy and data future stories to share.

  • Draws on Donna Haraway’s concept of Speculative Fabulation and her theories of situated knowledges.
  • Northdark was created as part of the research project Megabytes versus Megawatts at Linköping University.

Workshop Experience

What does a workshop feel like as a participant? Read an account of a bespoke Writing with Landscape workshop I ran at the Rachel Carson Center for Environment & Society, Munich, a few years ago, created for the researchers there.

“The limited amount of time forced us to think fast, to not overthink and to go with the flow… We heard underground water, moonlight, reindeers, trucks, rocks, and molecules speak—to mention just a few…

“even though we only had a few minutes to come up with these different forms of expression, every single contribution had a beautiful sense of depth, creativity, consciousness, and/or humor in them that deeply impressed the rest of the group.”

‘Seeing the Woods’ project

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